開催情報
Event Details
開催日時 / Date & Time
2025年10月14日(火) 17:00〜 / Tuesday, October 14, 2025, 5:00 PM –
開催場所 / Venue
京都駅 駅前広場特設ステージ / Special Stage at the Kyoto Station Plaza
参加費 / Admission
観覧無料 / Free
参加方法 / Registration
申込不要 / No registration required
概要
Overview
京都という土地が持つ奥深い魅力と凄みを絵で表現することは容易いことではない。寧ろ難解なテーマであることも熟知しており、個人的には生まれ育った場所でもあるからこそ入り乱れる思いもある。それでも今回、京都駅でライブペイントをするというお話をいただき、「京都」を描くことに初めて挑戦してみたいと思った。どんな作品が生まれたとしても私にとっては大切な出会いとなるだろう。
変わり続ける世界の中で、変わらないものを守るまち。畏敬の念を込めながら、駅を行き交う人々に見守られ、躍動して描けたらと思っている。（平野早依子）
It is not an easy task to capture the profound charm and depth of Kyoto through art. I am fully aware that it is a complex and challenging theme—and perhaps even more so for me, as someone who was born and raised here, with many intertwined feelings toward this city. Still, when I was invited to do a live painting at Kyoto Station, I felt inspired to take on the challenge of expressing “Kyoto” through my work for the very first time. Whatever form the finished piece may take, I believe it will be a meaningful encounter for me.
In a world that is constantly changing, Kyoto is a city that continues to protect what remains unchanged. With a sense of reverence, I hope to paint dynamically—watched over by the many people passing through the station. (Sayoko Hirano)
平野早依子
Sayoko Hirano
2015年、ブラジル・サンパウロの「FAAP Artist in Residence」により現地に滞在し、個展とパフォーマンスを開催。また2018年には3万人動員の音楽フェス「LOOPTOPIA Music Festival」（台湾）にてアートパフォーマンスを担当。
近年は、国内外で個展やパフォーマンスを継続する一方、百貨店でのワークショップや教育機関での講演、老舗企業とのコラボ商品発売など多岐に渡り活動している。
Sayoko Hirano creates unique wood carving works that combine the vivid colors and dynamic chisel lines of traditional Japanese woodblock printing. Her consistent theme is the expression of “vitality,” and she has exhibited her work and performed live painting in North and South America, Europe, and Asia.
In 2015, she stayed in São Paulo, Brazil, as part of the FAAP Artist in Residence program, where she held a solo exhibition and gave a performance. In 2018, she was in charge of an art performance at the LOOPTOPIA Music Festival in Taiwan, which attracted a crowd of 30,000.
In recent years, alongside solo exhibitions and performances both in Japan and abroad, she has actively expanded her practice through workshops at department stores, lectures at educational institutions, and collaborative product releases with long-established companies.